DSpace collection: 專書之單篇

Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

Thu, 20 Mar 2025 04:16:20 GMT

title: Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

〈瑪戈納《美麗的禮物》與美麗的禮物：HIV/AIDS與南非黑人女性的失能書寫〉

Thu, 20 Mar 2025 04:16:18 GMT

title: 〈瑪戈納《美麗的禮物》與美麗的禮物：HIV/AIDS與南非黑人女性的失能書寫〉 abstract: 近年因詭異多變的新冠病毒（COVID-19），人類過去數十年受到全球化影響的生活形態與知識體系受到極大的衝擊。面對嚴峻的疫情，醫藥科技的防禦與治療固然重要，人類如何面對傳染疾病與生離死別等等問題的心理建設亦不可忽視，因此醫療人文的研究與實踐議題格外重要。本書為國科會「以文淑世：醫療人文跨領域研究」計畫的第二本論文集，也是計畫執行五年以來其中一項成果。雖然橫空出世的新冠病毒打亂了原有規劃，卻也因為新冠肺炎的出現，更加凸顯醫療人文議題的重要性，具體展現如何呼應全球疫病的即時性。與第一本論文集《文學、視覺文化與醫學》一樣，本論文集嘗試探討醫學與文學、文化之間的互動。這次更特別收錄學界前輩李有成先生的新冠疫情詩，直接以詩文抒發大疫年代的生命省思。透過詩篇與論文的結合，希望能更深入探討疾病、醫學對於人類社會的影響與衝擊。

Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

Fri, 17 Jan 2025 04:05:37 GMT

title: Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

導言: 台灣英美文學研究 (2001-2022)

Wed, 31 Jul 2024 04:14:49 GMT

title: 導言: 台灣英美文學研究 (2001-2022) abstract: 自1991年成立英美文學學會以來，中華民國英美文學研究的發展至今已有二十二年之久，其研究取徑兼具國外英美文學和國內英美文學發展的特色。本計畫前身為2000年9月24日通過國科會人文學研究中心的委託，進行「臺灣地區英美文學研究之評量」整合型計畫。主持人林耀福老師和單德興老師指出，英美文學研究的特色在於，「臺灣英美語文學系學者一方面引進外國文學理論，豐富英美文學的研究面向，提升研究潛能，另一方面也深耕英美文學教學，並致力於文學教學工作和內涵，拓展英美文學的範疇」。

The BBC Drama Series ShakespeaRe-Told and Eric Yoshiaki Dando’s Oink, Oink, Oink

Fri, 01 Mar 2024 04:07:25 GMT

title: The BBC Drama Series ShakespeaRe-Told and Eric Yoshiaki Dando’s Oink, Oink, Oink

Decolonizing Oceanic Realms: Voices from Australia Pacific

Fri, 01 Mar 2024 04:07:23 GMT

title: Decolonizing Oceanic Realms: Voices from Australia Pacific

Old Green Deserts and New Brown Pools: Postcolonization, Neo-colonization, and Decolonization

Fri, 01 Mar 2024 04:07:22 GMT

title: Old Green Deserts and New Brown Pools: Postcolonization, Neo-colonization, and Decolonization abstract: Australia is the world's most arid continent. The drying began in the time of the late Pleistocene, about 35,000 years ago, when the amount and reliability of rainfall and the availability of permanent surface water decreased; and it extended up to the beginning of the Holocene. From then until about 250years ago, the drying stabilized and biodiversity flourished. Australia today is in the midst of another massive drying. Its beginnings trace to the pastoral traditions that Anglo-European colonizer–settler people introduced in the eighteenth century and to the birth of industrial mining in the late nineteenth century. The word “desertscapes” evokes post-1788 pastoral and mining activities, the primary focus of this chapter and reading of two films by First Nations film director Ivan Sen: Mystery Road (2013) and Goldstone (2016).

〈評析：那張臉、陌生人與倖存者〉

Mon, 15 Jan 2024 04:06:18 GMT

title: 〈評析：那張臉、陌生人與倖存者〉 abstract: 身為亞洲人，為何弄清自己的身分認同成了複雜難解的事？傲視國際文壇的華人作家歐大旭對於離散的沉思錄　　也許，這無關長相，　　而是因為我們但願大家都能和你我一樣。　　我們希望陌生人是自己人，　　是我們能理解的人。　　歐大旭，在歐美文壇異軍突起的亞洲人，馬來西亞多種族背景下的華人移民第三代，小時候就會說多種方言、如今以英語寫作的作家。　　你是哪裡人？他常被問，卻始終想不出一個適切的回答。　　他對自己的身分定位展開思索，試著透視家族回憶與世代記憶，擺盪在東西文化之間，深刻的觀察中流露真情。　　以我們家族來說，以類似我們家的家庭來說，　　分離是一種表達愛的方式。　　他寫個人與家族的疏離，以及世代間的差異如何變得越來越大。　　他寫教育如何形成階級，階級又如何影響教育，也談到往往被西方人視為同質的華人有著多麼複雜的族群與語言差異。　　他描繪出離散的哀愁，以及小人物在身世侷限下散發出動人的異彩。他道出生命中難以言說的痛，那樣的痛如何解釋了人的存在狀態。　　不同世代、性別、文化的人，不同的移民──這本書裡迴響著他們的聲音。歐大旭勾勒了一幅現代文化認同的織錦畫，他的故事遠超越了他個人，在多元歧異的世界中促成溫柔的理解。　　※特別收錄　　歐大旭新撰〈自序〉獻給中文版讀者　　學者熊婷惠〈那張臉、陌生人與倖存者〉專文評析

思考之必要，遇合之偶然：德勒茲與普魯斯特的「學徒鍛鍊」

Fri, 28 Apr 2023 13:04:51 GMT

title: 思考之必要，遇合之偶然：德勒茲與普魯斯特的「學徒鍛鍊」 abstract: 本書以二〇一九年十月份於中央研究院中國文哲研究所舉辦的同名會議為基礎編輯而成。各章選定一組德勒茲哲學概念或關鍵詞，並在翻譯問題的軸線上展開具體論述。不管作為實踐的行動、概念的鋪陳，甚或文化上的效應，翻譯本身便是多義的，而本書各章節也希望能展示哲學概念翻譯的多重面向。　　本書共收錄十篇論文，約略分成兩個部分。第一部分題為「德勒茲與翻譯」，儘管各章處理的文本與對象有些許差異，但各章都聚焦在「德勒茲與翻譯」這一問題上。第二部分的篇章題為「詮釋與創造」，相較於第一部分各章聚焦在翻譯概念的反思，第二部分的文章則更重視德勒茲哲學概念的詮釋以及在中文脈絡中概念自身的創造。這一詮釋與創造顯然與翻譯的程序而得以完成。

危機を乗り越える情報伝達とレジリエンスー台湾のコロナ情報発信を例に

Fri, 28 Apr 2023 13:04:49 GMT

title: 危機を乗り越える情報伝達とレジリエンスー台湾のコロナ情報発信を例に

“These Sentences Sounded Like Me”: Transformative Accommodation in L2 Writing

Fri, 28 Apr 2023 13:04:48 GMT

title: “These Sentences Sounded Like Me”: Transformative Accommodation in L2 Writing abstract: As a tutor while I was in graduate school in the United States, I regularly faced a dilemma with international students who brought their own cultural heritage to academic writing in the United States. This cultural heritage represents values learned over many years and may consist of the rhetorical norms they were taught in schools back home, the ideology about privileged languages, and the aesthetics of nonacademic discourse they bring with them from homes, communities, nationalities, and races (see also Amevuvor, this volume). Should tutors encourage international students to accommodate fully to US norms, or should we permit second language...

「小說捕獲的只是剩餘」：賀淑芳的零碎敘事策略

Fri, 28 Apr 2023 13:04:47 GMT

title: 「小說捕獲的只是剩餘」：賀淑芳的零碎敘事策略 abstract: 本論文集以「亞際南方」為出發點，一來是藉此思考馬華文學的「南方」意義，無論是從文化、語系或文學地理想像，有意在全球南方思維下辨識所謂屬於「南方的聲音」。另則帶著期待一種亞際間的互相看見與理解，重新思考馬華文學與亞際（之間）文學的參照，尤其是比較不同的亞際地域如何通過文學進行現實的探索，各自的文學爭論在歷史進程中的作用以及文學史框架等問題。

縈繞的歷史意識與身份認同的政治 — 以德希達閱讀崔維新的《玉牡丹》

Fri, 28 Apr 2023 13:04:45 GMT

title: 縈繞的歷史意識與身份認同的政治 — 以德希達閱讀崔維新的《玉牡丹》

當代華裔馬英小說家：歐大旭、陳團英與朱洋熹

Fri, 28 Apr 2023 13:04:45 GMT

title: 當代華裔馬英小說家：歐大旭、陳團英與朱洋熹 abstract: 《馬華文學與文化讀本》由學者作家張錦忠、黃錦樹、高嘉謙主編，是一本以論述為主的介紹性讀本，其出版旨在為中學、大專院校的學子，或是對馬華文學、文化有興趣的讀者，提供一本學習和入門的讀本。讀本規畫的內容，不僅涵蓋馬來西亞（含馬來亞時期）華人社會的歷史與文化脈絡，同時對重要的文學思潮、事件與作家做出整理敘述，藉此引導讀者認識和掌握馬華文學的發展脈絡。此書採單元形式編纂，力求透過史觀、事件、思潮、議題等不同組合，集眾人之力完成。　　本書包含十二個單元，即一、南中國海的波浪；二、赤道線上的烽火；三、冷戰時代的地緣政治與南洋文學版圖；四、寫實主義與社會現實主義；五、冷戰現代主義與馬華文學新浪潮；六、風土，鄉土與地方感；七、犀鳥飛越神山：婆羅洲書寫；八、歷史，家國與認同；九、在馬哈迪時代抒情；十、在臺：寫在家國之外；十一、多語，多元與華馬文學；以及十二、視與聽：電影、劇場、歌謠、書法，分別從馬華歷史譜系、政治遭遇、風土人情、語言文學等方面，呈現一百五十年來華人在馬來半島和周邊地區的行旅、移民、墾殖以及落地生根的經驗。撰寫者根據選題提供扼要文字，彼此串聯，形成有如星座圖般的敘述網絡，既有時間多維向度，也有重層地理、社會、人文的積累。　　馬華文學處於多族、多語、多元文化、生物多樣性環境，歷史、社會、政治、環境、日常生活、性別、情意、慾望、氣候劇變、護生等議題，在「後現代」、「後殖民」、「後認同」、「後人類」或「人類紀」的視野裡，有不同的文學或文化詮釋，本書在新紀元、新媒體時代編成，反映這些喧譁眾聲的關注。另一方面，文學形式、文類、呈現平臺、傳播載體、閱讀受眾早已有別於上個世紀的樣貌，閱讀文學的同時，其他文化、文類（如通俗類型）往往也在讀者或評論者的視閾之內，或為文化研究的對象，或為閱讀與論述之外的視聽向度，或為文學文本的指涉互文，本書也納入若干篇相關文字。　　歷史、事件、議題、人物在本書縱橫交叉貫穿，在在涉及文學、文獻、文化，除了在「多語、文學平臺與類型小說」卷擴大涵蓋面外，編者在「視與聽」卷將眼睛與耳朵放遠拉長到電影、劇場、歌謠、書法等文學「姐妹藝術」的抒情或再現媒介。　　從晚清到21世紀的今天，這個南洋華文書寫場域的歷史早已超過一百二十年，本書以一個宏觀的視野回望過去兩個甲子以來的文學事件、議題、人物、文本、運動、思潮、社團等，在不同撰寫者的書寫、檢視與敘述中自有微觀的評點與刻畫，本書希望可以提供讀者一幅見樹又見林的馬華文學圖像卷軸，讓讀者張看閱覽細品。

Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl

Fri, 28 Apr 2023 13:04:43 GMT

title: Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl abstract: In this chapter, Iris Ralph addresses the relationship between climate fiction (cli-fi) and ecofeminism in a reading of several works of Australian literature: Alexis Wright’s novel Carpentaria (2006); a short fiction by Michelle Law, “Bu Liao Qing” (2020); and a short fiction by Zoya Patel, “Displaced” (2020). Beginning with a brief overview of the literary genre of cli-fi, Ralph turns to ecofeminist critical summations of and interventions in cli-fi literature. Here, Ralph mostly refers to Greta Gaard’s study, Critical Ecofeminism (2017), and in particular to the chapter in it entitled “‘Cli-Fi’ Narratives,” where Gaard both summarizes and critiques the genre of cli-fi. Ralph uses the chapter as a stepping stone to her critical analysis of Wright’s novel and the two short stories. Wright’s novel has been critically recognized for being a representative work of cli-fi, and critics also have read the novel from ecofeminist critical perspectives. Ralph adds to the existing body of criticism by singling out how the novel explicitly attacks the masculinist and anti-environmental principles and practices of competition, unilateralism, and speciesism. “Bu Liao Qing” and “Displaced” appear in an anthology edited by Michael Mohammed Ahmad, After Australia (2020), a collection that represents recent directions in Australian literature that include the new genre of cli-fi and the increased awareness of and response to climate change. Law’s narrative is about rising temperatures that make it impossible to be outdoors at any time during the day without heavy protective gear; Patel’s is about rising sea levels in the Asia-Pacific region that are forcing people to migrate to Australia, a “reluctant provider” (Patel 2020, 94). Ralph reads these cli-fi narratives also through an ecofeminist lens, focusing on the privileged position that masculinist agencies and values have in the world today and how they are major generators of climate change.

Chinese Literature, Ecofeminism, and Transgender Studies

Thu, 10 Mar 2022 04:17:07 GMT

title: Chinese Literature, Ecofeminism, and Transgender Studies abstract: Transgender studies, a relatively new area of critical inquiry, offers useful insights to scholars who specialize in ecocriticism. I make the case for that claim here by way of an ecofeminist reading of several poems in 之間:陳育虹詩選 (In-between: New and Selected Poems) (2011), by Taiwanese poet Yu-hong Chen (陳育虹). In addition, I comment on the figure of the goddess Guanyin in the Chinese literary classic 西遊記 (Journey to the West) (1592) by Cheng-en Wu (吳承恩). The given figures speak to and for a range of “in-between” con ditions, identities, histories, and perspectives that are missing from or erased in mainstream, dominant, and official narratives of Taiwanese and Chinese culture and society. In identifying those conditions, identities, histories, and viewpoints, I draw upon studies by transgender studies’ scholars and ecofeminist scholars, since they, more than other critical studies, highlight concerns being voiced in the East about the need for more committed appreciation of moral and affective ties that challenge mainstream reductive dualisms—namely, culture/nature, male/female, and human/animal. In 現代臺灣文學史,下册 (A History of Modern Taiwanese Literature) (2011), Fang-ming Chen (陳芳明), one of Taiwan’s most well-known and highly respected literary critics, summarizes the generation of “pioneer” writers to which Yu-hong Chen belongs. They forged modern Taiwanese poetry in the 1980s, when martial law ended and the government opened its doors to so-called free market liberal economic policies and practices. One of the more felicitous outcomes of those seismic political and economic shifts was the “re revolutionizing” of Taiwanese society and culture by women (ibid., 722). By the latter half of the 1990s, by which time women had more political and economic power under new or revised inheritance and labor laws, women were producing and consuming not only the staple genre of popular romance fiction but also literature that dealt with taboo topics, reflected the influence of postmodern theories of subjectivity, and challenged older and limited chauvinist prescrip tions and formations of Taiwanese identity (ibid.). Questioning and rejecting masculinist and putative objective and factual accounts of Taiwanese culture and society, writers and readers called for narratives that explored female sexuality, the role of women in culture and society, domestic life, and affective experience (ibid., 753).

Chinese Science Fiction and Representations of Ecofeminists: Women Warriors and Madwomen

Thu, 10 Mar 2022 04:17:05 GMT

title: Chinese Science Fiction and Representations of Ecofeminists: Women Warriors and Madwomen abstract: Chen Qui-fan’s The Waste Tide (2013) and Liu Cixin’s The Three-Body Problem (2008) are two recent critically acclaimed works of science-fction (sci-f) that are examined here against ecofeminist theory in its latest, so- called fourth wave, manifestations. Those refect more engagements with literature produced outside of the West and with work produced by scholars in the burgeoning areas of environmental theory and practice of queer ecol- ogy, environmental justice, (critical) animal studies, (critical) plant studies, postcolonial studies, and climate justice.1 A comparison here of Liu’s main- stream sci-f novel and Chen’s less well-known cyberpunk sci-f novel, a comparison that is inspired by those latest directions in ecofeminism, sheds light on the ways in which The Three Body-Problem, which has been more successful from a fnancial and commercial point of view than has been the cyberpunk and sci-f novel The Waste Tide, tacitly defers to and indulges in popular and dominant masculinist constructions of and fantasies about eco-terrorists and eco-fascists. Those constructions appear in and betray the novel’s three apparently profoundly and disturbingly morally fawed main characters, individuals who become disillusioned with the direction in which small but powerful groups of humans who have no faith in Earth’s oldest environments are steering the planet. Through two of those characters in particular, Ye Wenjie and Wenjie’s daughter Yang Dong, the novel subtly and disingenuously depicts ecofeminists as violent women and madwomen. In contrast, The Waste Tide is more sympathetic to the kinds of environ- mental positions and goals upon which Liu’s novel casts doubt. Chen’s sci-f novel expresses in effect that if one wishes to identify and challenge violent and militant eco-fascist agendas, rogue eco-cults, and eco-terrorists, then one must look to mainstream, dominant directions in society and industry. Those directions betray masculinist ideologies. The novel focuses on one of those directions in particular, that which identifes the electronics and electronic waste (e-waste) industries. Specifcally, the novel questions the ongoing problem of illegal dumping of e-waste in China, a country that continues to be “the world’s largest e-waste dumping ground” despite the government’s ban on importing e-waste since 2000 (Healey 2017, 3). The novel’s principal protagonist is an ecofeminist woman warrior, Xiaomi.

Junkspace and Nonplace in Taiwan’s New Eco-Literature

Thu, 03 Mar 2022 04:10:47 GMT

title: Junkspace and Nonplace in Taiwan’s New Eco-Literature abstract: Taiwan is facing environmental problems that can be described broadly by resorting to globalization studies scholar Ulrich Bech’s use of the term “global risk.” A more accurate if also more polemical understanding of risk is postcolonial ecocriticism scholar Rob Nixon’s “unequally distributed catastrophe.” This chapter critically underscores the latter kind of risk, as it is playing out in East Asia, through the work of writers who question institutionalized policies and practices deleterious to planetary environmentally sustainable cultures and communities. In response to those policies and practices, scholars situated in the environmental humanities emphasize ecocritical arguments in literature and other kinds of cultural production that speak for preserving and caring for as opposed to replacing Earth’s oldest environments. Such arguments distinguish the work of Ming-yi Wu (吳明益), Guangzhong Yu (余光中), Ming Xiang (向明), Qiao Zhong (鍾喬), and Hung Hung (鴻鴻), writers who are the main focus of this chapter. It highlights critical connections that Wu implicitly makes between indigenous rights and environmental rights in his novel The Man with the Compound Eyes, critiques of anthropogenic culture that Yu and Xiang make in several poems, and the eco-activist poetic messages of Zhong and Hung.

Junkspace and Non-place in Taiwan’s New Eco-Literature.

Wed, 02 Mar 2022 04:15:33 GMT

title: Junkspace and Non-place in Taiwan’s New Eco-Literature. abstract: Taiwan is facing environmental problems that can be described broadly by resorting to globalization studies scholar Ulrich Bech’s use of the term “global risk.” A more accurate if also more polemical understanding of risk is postcolonial ecocriticism scholar Rob Nixon’s “unequally distributed catastrophe.” This chapter critically underscores the latter kind of risk, as it is playing out in East Asia, through the work of writers who question institutionalized policies and practices deleterious to planetary environmentally sustainable cultures and communities. In response to those policies and practices, scholars situated in the environmental humanities emphasize ecocritical arguments in literature and other kinds of cultural production that speak for preserving and caring for as opposed to replacing Earth’s oldest environments. Such arguments distinguish the work of Ming-yi Wu (吳明益), Guangzhong Yu (余光中), Ming Xiang (向明), Qiao Zhong (鍾喬), and Hung Hung (鴻鴻), writers who are the main focus of this chapter. It highlights critical connections that Wu implicitly makes between indigenous rights and environmental rights in his novel The Man with the Compound Eyes, critiques of anthropogenic culture that Yu and Xiang make in several poems, and the eco-activist poetic messages of Zhong and Hung.

翻譯中的差異與空間概念

Wed, 02 Mar 2022 04:15:31 GMT

title: 翻譯中的差異與空間概念

ShakespeaRe-Told’s Macbeth and Eric Yoshiaki Dando’s Oink, Oink, Oink

Wed, 02 Mar 2022 04:15:29 GMT

title: ShakespeaRe-Told’s Macbeth and Eric Yoshiaki Dando’s Oink, Oink, Oink

Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl

Sat, 26 Feb 2022 04:11:45 GMT

title: Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl

法蘭岑的《修正》丶失智症和照護倫理

Wed, 15 Dec 2021 09:08:10 GMT

title: 法蘭岑的《修正》丶失智症和照護倫理

〈敘述失能：林區《邊界之歌》中的邊界政治、自閉症與大地藝術〉

Wed, 15 Dec 2021 09:08:07 GMT

title: 〈敘述失能：林區《邊界之歌》中的邊界政治、自閉症與大地藝術〉

〈第５章沈黙の音楽――音楽を主題とするマンガにおける欲望機械と女性性〉

Thu, 22 Apr 2021 04:14:30 GMT

title: 〈第５章沈黙の音楽――音楽を主題とするマンガにおける欲望機械と女性性〉

漫畫如何解像歷史：《霧社事件》的對位法

Thu, 22 Apr 2021 04:14:28 GMT

title: 漫畫如何解像歷史：《霧社事件》的對位法

浸透世界中的中介與遊戲論

Thu, 22 Apr 2021 04:14:26 GMT

title: 浸透世界中的中介與遊戲論

〈中国、台湾――アジアにおけるアイデンティティの探索〉

Thu, 22 Apr 2021 04:14:24 GMT

title: 〈中国、台湾――アジアにおけるアイデンティティの探索〉

〈來自南方的記憶書寫：馬來西亞華裔離散英文小說〉

Thu, 08 Oct 2020 04:10:49 GMT

title: 〈來自南方的記憶書寫：馬來西亞華裔離散英文小說〉

解説

Tue, 23 Jun 2020 04:10:20 GMT

title: 解説

〈在語言與文化差異之間：以翻譯教學為例〉

Thu, 03 Oct 2019 04:11:52 GMT

title: 〈在語言與文化差異之間：以翻譯教學為例〉

“This Was My Country—How Could It Not Be?”: On the Significance of Travel in The In-Between World of Vikram Lall

Thu, 07 Mar 2019 04:10:15 GMT

title: “This Was My Country—How Could It Not Be?”: On the Significance of Travel in The In-Between World of Vikram Lall abstract: In his essay “Algeria’s European Minority,” Frantz Fanon vividly describes a process of nation building. As the independence movement gradually erodes the structure of the colonial society that has been based upon the notion of absolute difference between colonizers and the colonized, European minorities in Algeria shed their old sense of who they are, identify themselves as Algerians, and get accepted as fellow citizens. “In the new society that is being built,” Fanon avers, “there are only Algerians. From the outset, therefore, every individual living in Algeria is an Algerian. In tomorrow’s independent Algeria it will be up to every Algerian to assume Algerian citizenship or to reject it in favor of another” (152). This essay is moving, because of Fanon’s firm belief that the project of nation-building can renew people’s sense of belonging and thereby create a new, more inclusive and egalitarian society. At the same time, the essay is all the more poignant because subsequent history has seen too many tragic cases in which decolonization only leads to violent ethnic conflicts. Read with hindsight, Fanon’s essay raises questions as to what has gone wrong.

Multilingual Audio Announcements: Power and Identity

Tue, 09 Oct 2018 04:12:33 GMT

title: Multilingual Audio Announcements: Power and Identity abstract: This research project examined the process and tension of constructing a Taiwanese identity, drawing on the theoretical framework of linguistic landscape (LL) and soundscape studies. LL studies analyse languages on signs in the public space to reveal the power dynamics of the people residing in the same spaces, while soundscape studies focus on the sounds in a particular environment and how they are perceived by individuals or groups in that sound space. This research project investigated the perception and evaluation of the multilingual public audio announcements on the Taipei Mass Rapid Transit System (MRT), where announcements are played in Mandarin Chinese, Holo, Hakka and English. The first three languages are the major languages spoken in Taipei, Taiwan. Interviews were conducted with people of diverse ethnic background (N = 100). Preliminary results mirror the power dynamic/struggle of the three linguistic groups over the past 60 years.

Angela Carter's Postmodern Wolf Tales

Wed, 31 Jan 2018 18:10:35 GMT

title: Angela Carter's Postmodern Wolf Tales abstract: There are countless ways of thinking, feeling, and acting like an ecofeminist. Ecofeminism includes a plurality of perspectives, thriving in dialogue between diverse theories and practices involving ecological and feminist matters of concern. Deepening the dialogue, the contributors in this anthology explore critical and complementary interactions between ecofeminism and other areas of inquiry, including ecocriticism, postcolonialism, geography, environmental law, religion, geoengineering, systems thinking, family therapy, and more. This volume aims to further the cultural and literary theories of ecofeminism by situating them in conversation with other interpretations and analyses of intersections between environment, gender, and culture. This anthology is a unique combination of contemporary, interdisciplinary, and global perspectives in dialogue with ecofeminism, supporting academic and activist efforts to resist oppression and domination and cultivate care and justice.

Toxic Objects, Slow Violence, and the Ethics of Transcorporeality in Chi Wen-chang's Zhebi de tiankong (The Poisoned Sky)

Mon, 20 Nov 2017 18:10:55 GMT

title: Toxic Objects, Slow Violence, and the Ethics of Transcorporeality in Chi Wen-chang's Zhebi de tiankong (The Poisoned Sky)

Animality, Biopolitics, and Umwelt in Amitav Ghosh's The Hungry Tide

Mon, 20 Nov 2017 18:10:53 GMT

title: Animality, Biopolitics, and Umwelt in Amitav Ghosh's The Hungry Tide abstract: Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to twentieth-century literature and film. The range of texts considered here is intentionally broad, answering questions like, how do contemporary writers such as Amitav Ghosh, Terry Tempest Williams, and Indra Sinha help us to think about not only animals but also humans as animals? What kinds of creatures are being constructed by contemporary artists such as Patricia Piccinini, Alexis Rockman, and Michael Pestel? How do 'animalities' animate such diverse texts as the poetry of two women publishing under the name of 'Michael Field', or an early film by Thomas Edison depicting the electrocution of a circus elephant named Topsy? Connecting these issues to fields as diverse as environmental studies and ecocriticism, queer theory, gender studies, feminist theory, illness and disability studies, postcolonial theory, and biopolitics, the volume also raises further questions about disciplinarity itself, while hoping to inspire further work 'beyond the human' in future interdisciplinary scholarship.

Utopia in Theater: Mulian Rescues Mother Earth

Mon, 14 Aug 2017 18:10:16 GMT

title: Utopia in Theater: Mulian Rescues Mother Earth

Obstacles to CM-guided L2 idiom interpretation

Fri, 04 Aug 2017 18:10:17 GMT

title: Obstacles to CM-guided L2 idiom interpretation

Introduction (導讀) to “From Animal to Animality Studies” by Michael Lundblad.

Tue, 29 Nov 2016 18:14:33 GMT

title: Introduction (導讀) to “From Animal to Animality Studies” by Michael Lundblad.

Taiwanese Mountain and River Literature from a Postcolonial Perspective.

Tue, 29 Nov 2016 18:14:32 GMT

title: Taiwanese Mountain and River Literature from a Postcolonial Perspective.

DSpace collection: 專書之單篇

Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

〈瑪戈納《美麗的禮物》與美麗的禮物：HIV/AIDS與南非黑人女性的 失能書寫〉

Tech-Enabled Focus and Flourish: Navigating Online Learning Environments, Concentration, and Metacognitive Strategies for Trainee Interpreters

導言: 台灣英美文學研究 (2001-2022)

The BBC Drama Series ShakespeaRe-Told and Eric Yoshiaki Dando’s Oink, Oink, Oink

Decolonizing Oceanic Realms: Voices from Australia Pacific

Old Green Deserts and New Brown Pools: Postcolonization, Neo-colonization, and Decolonization

〈評析：那張臉、陌生人與倖存者〉

思考之必要，遇合之偶然：德勒茲與普魯斯特的「學徒鍛鍊」

危機を乗り越える情報伝達とレジリエンスー台湾のコ ロナ情報発信を例に

“These Sentences Sounded Like Me”: Transformative Accommodation in L2 Writing

「小說捕獲的只是剩餘」：賀淑芳的零碎敘事策略

縈繞的歷史意識與身份認同的政治 — 以德希達閱讀崔維新的《玉牡丹》

當代華裔馬英小說家：歐大旭、陳團英與朱洋熹

Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl

Chinese Literature, Ecofeminism, and Transgender Studies

Chinese Science Fiction and Representations of Ecofeminists: Women Warriors and Madwomen

Junkspace and Nonplace in Taiwan’s New Eco-Literature

Junkspace and Non-place in Taiwan’s New Eco-Literature.

翻譯中的差異與空間概念

ShakespeaRe-Told’s Macbeth and Eric Yoshiaki Dando’s Oink, Oink, Oink

Ecofeminist Climate-Fiction: Merlinda Bobis’s Locust Girl

法蘭岑的《修正》丶失智症和照護倫理

〈敘述失能：林區《邊界之歌》中的邊界政治、自閉症與大地藝術〉

〈第５章 沈黙の音楽――音楽を主題とするマンガにおける欲望機械と女性性〉

漫畫如何解像歷史：《霧社事件》的對位法

浸透世界中的中介與遊戲論

〈中国、台湾――アジアにおけるアイデンティティの探索〉

〈來自南方的記憶書寫：馬來西亞華裔離散英文小說〉

解説

〈在語言與文化差異之間：以翻譯教學為例〉

“This Was My Country—How Could It Not Be?”: On the Significance of Travel in The In-Between World of Vikram Lall

Multilingual Audio Announcements: Power and Identity

Angela Carter's Postmodern Wolf Tales

Toxic Objects, Slow Violence, and the Ethics of Transcorporeality in Chi Wen-chang's Zhebi de tiankong (The Poisoned Sky)

Animality, Biopolitics, and Umwelt in Amitav Ghosh's The Hungry Tide

Utopia in Theater: Mulian Rescues Mother Earth

Obstacles to CM-guided L2 idiom interpretation

Introduction (導讀) to “From Animal to Animality Studies” by Michael Lundblad.

Taiwanese Mountain and River Literature from a Postcolonial Perspective.

〈瑪戈納《美麗的禮物》與美麗的禮物：HIV/AIDS與南非黑人女性的失能書寫〉

危機を乗り越える情報伝達とレジリエンスー台湾のコロナ情報発信を例に

〈第５章沈黙の音楽――音楽を主題とするマンガにおける欲望機械と女性性〉