DSpace collection: 專書

The detective genre in the narrative of eduardo mendoza

title: The detective genre in the narrative of eduardo mendoza abstract: This dissertation is an in-depth study of the detective novels of Eduardo Mendoza (Barcelona, 1943) as well as his artistic contributions to the evolution of detective narrative in Spain. It also attempts to reevaluate and rediscover the genre in Post-Franco Spain. Traditionally, the critics have seen detective novel as a marginal genre which is always associated with "popular literature" and "low literature". However, there is an explosion of interest for the detective genre in Spain during the last two decades. The "boom"of the genre is of great significance with regard to its breaking with the rigid division between "elite literature" and "popular literature". Detective novel has been served as an ideal means not only for entertainment, but also for social criticism. Besides, it provides a new possibility for the narrative writing. All these motives are attributed to Post-Franco Spanish detective narrative's popularity and they are all relevant regarding Mendoza's works. The dissertation concentrates on Mendoza's four detective novels: La verdad sobre el caso Savolta (1975), El misterio de la cripta embrujada (1979), El laberinto de las aceitunas (1982) and Una comedia ligera (1996). Chapter 1 discusses the concept, the ideology of detective narrative in general terms and its two major schools: the classic English detective novel and the American hard-boiled mode. Chapter 2 summarizes a panorama of the Spanish detective novel since 19th century up to the present, in especial focuses on its growth after the death of Franco to help readers understand better Mendoza's works. The following four chapters study the structure, characters (the private detective, the police), themes (the national insecurity, the disillusionment, the proliferation of corruption, violence and crime), space (Barcelona) and literary techniques in the four texts mentioned above. The conclusion proposes that Eduardo Mendoza's detective fiction is connected mostly not only to the tradition of American novela negra, but also to that of other contemporary Spanish writers (Manuel Vazquez Montalbán mainly) for its adaptation to the national context. Through parody and humor, Mendoza's detective novels are entertaining but with special attention on social criticism, and expand the expectations of the genre.

在文學研究與文化研究之間：朱炎教授七秩壽慶論文集

title: 在文學研究與文化研究之間：朱炎教授七秩壽慶論文集 abstract: 朱炎教授是我國西洋文學（美國文學、西班牙文學）教學與研究之先驅，在近四十寒暑之學術生涯中，作育英才無數，開拓西洋文學研究領域，居功厥偉。《古蘭經》上說：「一句良言，好比一棵優良的樹，其根柢是深固的，其枝條高聳入雲，憑主的許可，按時結果。」本書的範疇有理論的探索，也有文本的分析，更有研究成果的檢討與反省；論文所涉及的文本類型更包含了詩、小說、自傳、電影、論述、訪談錄等。撰稿者多為活躍於現今台灣外國文學界的學者，目前於各大學或研究機構從事教學及研究工作。子曰：「智者樂，仁者壽。」謹以此書與朱教授壽。

影視教育製作手冊

title: 影視教育製作手冊

俠與中國文化

title: 俠與中國文化

夏小正析論

title: 夏小正析論 abstract: 夏小正雖然是一篇古老而簡短的文獻，所牽涉的範圍，如天文、曆法、生物、氣候、人文，卻相當廣泛、相當專門。在提倡科學，復興中華文化的今日，如果由各種專家學者分工合作來研究它，應該是很有意義的，可惜「群經之中，大戴最晦，而夏小正在大戴之中又為獨晦。」（嚴元照夏小正箋序）近數十年來，涉獵夏小正的學者寥寥無幾，要勞動這麼多的專家根本是不可能的事。不得已，只好不自量力來做拋磚引玉的工作。當然，這份任務是相當艱鉅的，一方面要儘量吸收「夏小正研究」中的成果而避免重複，另一方面又得研讀不少專門書籍而融會貫通，限於個人才學，呈現出來的成果自然不能十分令人滿意。但我已盡了心力，所衷心爇禱的，不僅在於得到大方之家的指教，更在於像夏小正這類的古代文獻能引起世人的注意。

圖書館網路與資源運用

title: 圖書館網路與資源運用